Spacio-Temporal Dominants in Art: Sources for Formation and Peculiarities

Abstract

The paper considers the issue of the priority of spatial vectors in music and painting. The author applies the analysis of data from various fields of knowledge, including the evidence and research made by musicians themselves, as well as by V. Kandinsky. The bibliographic analysis predetermines a number of tasks for the further study. The relevance of correlations of objective phenomena and the regularities with stable gestalts of spatio-temporal order in different cultures and arts is proved.

Keywords

Basic plane, Kandinsky, left, right, top, bottom, rotation, synesthesia, vector.