Canonic Technique in the Motets by Thomas Tallis and William Byrd from the ‘Cantiones quae ab argumento sacrae vocantur’ collection (1575)

Abstract

The article considers the canonic motets by Thomas Tallis and William Byrd, published in 1575, as part of the Cantiones quae ab argumento sacrae vocantur (Songs which on account of their subject matter are called sacred) collection. The analysis of the pieces shows the originality and multi-faceted nature of the two English masters ’compositional solutions. Tallis and Byrd apply not only different types of complex counterpoint, but the combination of various methods of writing and rare types of canons (e.g., proportional, retrograde). The complex compositional techniques of the motets advantageously distinguish them in the context of the era.

Keywords

motet, canon, William Byrd, Thomas Tallis, cantiones sacrae, complex counterpoint