Kurlyandskiy Dmitriy
ISSN 2308-1333
Composer, Musical Director of the K. S. Stanislavsky Moscow Dramatic Theatre (“Stanislavsky Electrotheatre”)
E-mail: kourliandski@googlemail.com
Metadiscourse of Russian Musical Culture: Issue 2. ASM-2 and SoMa: a Collective Chronicle of Relationships
Abstract
The collection of materials consists of two sections. The first is the transcript of the Association of Contemporary Music (ASM-2) meeting, where D. Kurlyandsky’s opera “Nosferatu” was discussed. The second contains the correspondence with the members of the meeting held 10 years later. The musicologist A. Amrakhova has made an attempt to comprehend the underlying cause of antagonism between the two branches of the Russian avant-garde.
Keywords
Register of Our Delusions. Part 2: conversations with composers (presenter — A. A. Amrakhova)
Abstract
A. A. Amrakhova's questions are answered by the leading Russian composers: V. G. Tarnopolskiy, Yu. S. Kasparov, Yu. V. Vorontsov, F. K. Karayev, K. A. Umanskiy, D. A. Kurlyandskiy. The discussion is focused on the problems of composition teaching in a contemporary cultural situation, the changed scale of values, and the specifics of the composers‘ analysis of music.
Keywords
contemporary music, avant-gardism, postmodernism, composition teaching, the musicologist’s and composer’s analysis, traditions and epigonism in art