From Kammerspiele to Existential Tragedy: the Role of Music in "Stroszek" and "Woyzeck" by Werner Herzog
Abstract
Fifth year student of the Department of Music History and Theory at the Tchaikovsky Moscow State Conservatory (Director — Ph.D., Assoc. Prof. E. V. Rovenko); Copy Editor of the United Newspaper Editorial Office of the Moscow Conservatory “Rossiyskiy Muzykant” and “Tribuna Molodogo Zhurnalista”
e-mail: marianevidimova@yandex.ru
Abstract
ISSN 2308-1333
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