| Siciliano – Illustrations and Comment Fragments (to Hans Zender, to whom the “Dance Suite with a Song about Germany” is dedicated) |
Lachenmann Helmut Friedrich |
44 |
| The Extraordinary Adventures of Orpheus in the Tragicomedy of the Same Name by Aurelio Aureli and Antonio Sartorio (1672) |
Nemtsova Anastasia A. |
43 |
| Concerning the problem of comparative art criticism methodology in the context of musicology in a multicultural world |
Lian Yicen |
43 |
| Composer Faraj Karayev. About His Life Values, Teachers, Friends and a Little Bit about His Style: for the Anniversary of the Master |
Amrakhova Anna, Farkhadov Rauf Y. |
43 |
| A “Lifelong” Interview about Father (Metadiscourse of National Musical Culture: Issue 4) |
Amrakhova Anna, Karayev Faraj |
43 |
| Transformation of the Finale in Three Editions of the Fourth Piano Concerto by S. V. Rachmaninoff: A New Look at the Form |
Koryapina Tatyana P. |
42 |
| The Law of Dynamic Progression (jo-ha-kyu) and "Pause" (ma) in Traditional Musical Theatre, Music, and Other Temporary Arts of Japan: the Problem of the Analytical Approach |
Esipova Margarita V. |
42 |
| György Ligeti and Dadaism |
Veksler Yulia |
42 |
| Metadiscourse of Russian Musical Culture: Issue 3. A. K. Vustin. The 80th Anniversary of the Composer. The History of the “Brown Notebook”, the Magazine “Modernist” and the “Warsaw Discussion Club of Modernists” |
Amrakhova Anna, Yelyanova Marina L. |
42 |
| Canonic Technique in the Motets by Thomas Tallis and William Byrd from the ‘Cantiones quae ab argumento sacrae vocantur’ collection (1575) |
Konkin Gleb A. |
41 |
