| From the history of ASM-I: “contemporaneity” |
Vlasova Ekaterina S. |
45 |
| The knight errant of the avant-garde: remembering Victor Ekimovskiy |
Raskatov Alexander M. |
45 |
| Metadiscourse of Russian Musical Culture: Issue 5 In memory of V. A. Ekimovskiy |
Amrakhova Anna |
45 |
| Longing, Obsession, and Play: Ligeti’s Early Compositions for Women’s Choirs |
Rossi Marina |
44 |
| Aspects of Blasphemy in Soviet Music |
Laluev Vladimir Y., Lesovichenko Andrey |
44 |
| Music by André Previn for the Film by Richard Brooks “Elmer Gantry” (1960) as a Semantic Factor |
Dubova Alexandra Yu., Okuneva Ekaterina G. |
44 |
| Siciliano – Illustrations and Comment Fragments (to Hans Zender, to whom the “Dance Suite with a Song about Germany” is dedicated) |
Lachenmann Helmut Friedrich |
44 |
| The Extraordinary Adventures of Orpheus in the Tragicomedy of the Same Name by Aurelio Aureli and Antonio Sartorio (1672) |
Nemtsova Anastasia A. |
43 |
| Concerning the problem of comparative art criticism methodology in the context of musicology in a multicultural world |
Lian Yicen |
43 |
| Composer Faraj Karayev. About His Life Values, Teachers, Friends and a Little Bit about His Style: for the Anniversary of the Master |
Amrakhova Anna, Farkhadov Rauf Y. |
43 |
