Amrakhova Anna
ISSN 2308-1333
Associate professor of the Music Theory Department of Mikhail Glinka Nizhny Novgorod State Conservatory, Head of the Research Analytics Department of Tchaikovsky Moscow State Conservatory, Editor-in-Chief of the Journal of Russia’s Music Theory Society
E-mail: amrahovaaa54@hotmail.com
Metadiscourse of Russian Musical Culture: Issue 2. ASM-2 and SoMa: a Collective Chronicle of Relationships
Abstract
The collection of materials consists of two sections. The first is the transcript of the Association of Contemporary Music (ASM-2) meeting, where D. Kurlyandsky’s opera “Nosferatu” was discussed. The second contains the correspondence with the members of the meeting held 10 years later. The musicologist A. Amrakhova has made an attempt to comprehend the underlying cause of antagonism between the two branches of the Russian avant-garde.
Keywords
Music at the Period of Post-Postmodernism
Abstract
In the framework of the round-table, leading researchers of contemporary music from Russia and France, such as L. Akopyan, I. Stoianova and T. Tsaregradskaya, discuss the features of music culture at the period of post-postmodernism: the changes in the requirements for a professional composer, blurring the boundaries between modernism and postmodernism etc.
Keywords
modernism, postmodernism, metamodernism, modern music, Neue Musik
Delayed Premieres
Abstract
The topic for discussion of the leading musicologists-historians S. I. Savenko, L. V. Kirillina, Yu. S. Veksler was the phenomenon of “delayed premieres” in world culture, when the opus was first presented to the public much later than the time of the end of work on it. The problem is considered in a broad cultural aspect, since such a reinterpretation of cultural events when they fall into a different historical environment is a fairly common phenomenon.