The Journal of Russian Society for Theory of Music

ISSN 2308-1333

Siciliano – Illustrations and Comment Fragments (to Hans Zender, to whom the “Dance Suite with a Song about Germany” is dedicated)

Abstract

This publication presents a translation of Helmut Lachenmann’s article, which concerns the analysis of his own piece Siciliano, which is one of the parts of his Dance Suite with a Song about Germany (Tanzsuite mit Deutschlandlied). First publication: Lachenmann H. Siciliano – Abbildungen und Kommentarfragmente («Tanzsuite mit Deutschlandlied») // Schweizerische Musikzeitung. 1983. Jg. 123. H. 6 (Nov./Dez. 1983). S. 348-356.

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The Extraordinary Adventures of Orpheus in the Tragicomedy of the Same Name by Aurelio Aureli and Antonio Sartorio (1672)

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Read more about The Extraordinary Adventures of Orpheus in the Tragicomedy of the Same Name by Aurelio Aureli and Antonio Sartorio (1672)

Concerning the problem of comparative art criticism methodology in the context of musicology in a multicultural world

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Composer Faraj Karayev. About His Life Values, Teachers, Friends and a Little Bit about His Style: for the Anniversary of the Master

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Read more about Composer Faraj Karayev. About His Life Values, Teachers, Friends and a Little Bit about His Style: for the Anniversary of the Master

A “Lifelong” Interview about Father (Metadiscourse of National Musical Culture: Issue 4)

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Transformation of the Finale in Three Editions of the Fourth Piano Concerto by S. V. Rachmaninoff: A New Look at the Form

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The Law of Dynamic Progression (jo-ha-kyu) and "Pause" (ma) in Traditional Musical Theatre, Music, and Other Temporary Arts of Japan: the Problem of the Analytical Approach

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György Ligeti and Dadaism

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Metadiscourse of Russian Musical Culture: Issue 3. A. K. Vustin. The 80th Anniversary of the Composer. The History of the “Brown Notebook”, the Magazine “Modernist” and the “Warsaw Discussion Club of Modernists”

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Read more about Metadiscourse of Russian Musical Culture: Issue 3. A. K. Vustin. The 80th Anniversary of the Composer. The History of the “Brown Notebook”, the Magazine “Modernist” and the “Warsaw Discussion Club of Modernists”

Canonic Technique in the Motets by Thomas Tallis and William Byrd from the ‘Cantiones quae ab argumento sacrae vocantur’ collection (1575)

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Read more about Canonic Technique in the Motets by Thomas Tallis and William Byrd from the ‘Cantiones quae ab argumento sacrae vocantur’ collection (1575)

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