Articles

Title	Author	Number
The Artistic World of Maurice Maeterlinck’s drama “Ariane et Barbe-Bleue” in view of Paul Dukas: The Composer’s Work on the Playwright’s Text	Shutkova M. S.	33
Modern Chinese opera (late XX – early XXI centuries) and “The First Emperor” by Tan Dun	Ding Rong, Yunusova Violetta	33
Old Russian Singing Terminology in the Special Course “History of Russian Music of the 11th – 18th Centuries” at Moscow State Tchaikovsky Conservatory	Guryeva N. V., Tyurina O. V.	33
The Foreign Music History Department of the Moscow Conservatory at the Turn of the Century: the 75th Anniversary of Mikhail Alexandrovich Saponov	Lesovichenko Andrey	33
“To Create a Sensation of Continuum”	Kouprovskaia Ekaterina	32
“To hear what you write”	Kouprovskaia Ekaterina	32
Alexander Khubeev Shares His Experience of Working in Germany	Amrakhova Anna	32
Music at the Period of Post-Postmodernism	Akopyan Levon, Amrakhova Anna, Stoianova Ivanka, Tsaregradskaya Tatyana	32
Composition and Drama Role of the Voice in the Following Instrumental Works by Nikolai Korndorf: Canzone Triste for Harp (1998), Chamber Symphony Confessiones for 14 performers and tape recording (1979), Quartet for two violins, viola and chello (1992)	Zubova Olesya A.	31
"Where Did You Come from, Wanderer?": Two Romances by G. V. Sviridov to Words by B. L. Pasternak (1935)	Timofeeva Anastasia N.	31

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