The Extraordinary Adventures of Orpheus in the Tragicomedy of the Same Name by Aurelio Aureli and Antonio Sartorio (1672) |
Nemtsova Anastasia A. |
43 |
Concerning the problem of comparative art criticism methodology in the context of musicology in a multicultural world |
Lian Yicen |
43 |
Composer Faraj Karayev. About His Life Values, Teachers, Friends and a Little Bit about His Style: for the Anniversary of the Master |
Amrakhova Anna, Farkhadov Rauf Y. |
43 |
A “Lifelong” Interview about Father (Metadiscourse of National Musical Culture: Issue 4) |
Amrakhova Anna, Karayev Faraj |
43 |
Transformation of the Finale in Three Editions of the Fourth Piano Concerto by S. V. Rachmaninoff: A New Look at the Form |
Koryapina Tatyana P. |
42 |
The Law of Dynamic Progression (jo-ha-kyu) and "Pause" (ma) in Traditional Musical Theatre, Music, and Other Temporary Arts of Japan: the Problem of the Analytical Approach |
Esipova Margarita V. |
42 |
György Ligeti and Dadaism |
Veksler Yulia |
42 |
Metadiscourse of Russian Musical Culture: Issue 3. A. K. Vustin. The 80th Anniversary of the Composer. The History of the “Brown Notebook”, the Magazine “Modernist” and the “Warsaw Discussion Club of Modernists” |
Amrakhova Anna, Yelyanova Marina L. |
42 |
Canonic Technique in the Motets by Thomas Tallis and William Byrd from the ‘Cantiones quae ab argumento sacrae vocantur’ collection (1575) |
Konkin Gleb A. |
41 |
Spacio-Temporal Dominants in Art: Sources for Formation and Peculiarities |
Taganov Oleg N. |
41 |