| Experimentalism in James Tenney's musical theory: form and its perception |
Agaronian Kristina R. |
52 |
| Imitative forms in the sacred music of P. I. Tchaikovsky |
Plotnikova Natalya |
52 |
| Hermann of Reichenau. Music (Introduction and commented translation by J. V. Moskva) P. 2 |
Moskva Yulia |
52 |
| Interpretation and “Open Form”: Similarities and Differences (using Tchaikovsky's symphonies as an example). On the 185th anniversary of the composer's birth |
Skvortsova Irina |
52 |
| Acoustic and Visual-Acoustic Text in the Music of Oral Tradition and the Work of Asian Composers: Notes on the Research |
Yunusova Violetta |
52 |
| Wind instruments of the pre-romantic orchestra (based on Othon Vandenbroeck’s “The main treatise on all wind instruments for composers”) |
Berezin Valerij V. |
52 |
| «Buddhism with Thousand Faces» by Peeter Vähi |
Severina Irina M. |
59 |
| Opera and Revolution: «Ruslan and Lyudmila» at the Mariinsky Theatre in November 1917 |
Gordeev Petr N. |
50 |
| Franz Schrecker and Georg Friedrich Haas: The Alchemy of Sound |
Veksler Yulia |
50 |
| Local exoticism: the musical culture of Austria in the works of Georg Friedrich Haas (Translated by Yuliya Veksler) |
Schröder Gezina |
50 |
