| “A friend among strangers, a stranger among his own”: paradoxes of the genre in the Saxophone Concerto by Alexey Krasheninnikov |
Darya S. Semko, Okuneva Ekaterina G. |
49 |
| Tan Dun and John Cage: creative parallels |
Sofia Y. Petrunina |
49 |
| Repetitive techniques and semantic metamorphoses of repetition |
Konstantin M. Kurlenya |
49 |
| Notes on Alfred Schnittke's First Symphony Abstract |
Vorontsov Yury |
49 |
| Avant-garde as a fleeting experience in late Soviet music |
Zenkin Konstantin |
49 |
| plague on both your homes (R. A. Nasonov is interviewed by A. A. Amrakhova) |
Amrakhova Anna, Nassonov Roman |
49 |
| Hermann of Reichenau. Music (Introduction and commented translation by J. V. Moskva) |
Moskva Yulia |
48 |
| The problem of genre in the work of Alban Berg: tradition as Aussenhalt |
Veksler Yulia |
48 |
| Genre invariance in the work of P. Hindemith |
Stogny Irina S. |
48 |
| Style fields in post-traditionalist music and their invariant |
Zenkin Konstantin |
48 |
