| «Buddhism with Thousand Faces» by Peeter Vähi |
Severina Irina M. |
59 |
| Opera and Revolution: «Ruslan and Lyudmila» at the Mariinsky Theatre in November 1917 |
Gordeev Petr N. |
50 |
| Franz Schrecker and Georg Friedrich Haas: The Alchemy of Sound |
Veksler Yulia |
50 |
| Local exoticism: the musical culture of Austria in the works of Georg Friedrich Haas (Translated by Yuliya Veksler) |
Schröder Gezina |
50 |
| Metadiscourse of Russian Musical Culture: Issue 8. The television film «Thoughts around the premiere»: After the passage of time |
Amrakhova Anna, Karaseva Marina, Sokolov Alexander |
50 |
| “A friend among strangers, a stranger among his own”: paradoxes of the genre in the Saxophone Concerto by Alexey Krasheninnikov |
Darya S. Semko, Okuneva Ekaterina G. |
49 |
| Tan Dun and John Cage: creative parallels |
Sofia Y. Petrunina |
49 |
| Repetitive techniques and semantic metamorphoses of repetition |
Konstantin M. Kurlenya |
49 |
| Notes on Alfred Schnittke's First Symphony Abstract |
Vorontsov Yury |
49 |
| Avant-garde as a fleeting experience in late Soviet music |
Zenkin Konstantin |
49 |
