| A “Virtual Quotation” in Tchaikovsky’s Opera “The Queen of Spades” as a “Counter-textual Paradox” |
Titova Elena |
2 |
| The Treatise De mensurabili musica by Johannes de Garlandia |
Pospelova Rimma |
2 |
| The Theory of Genres in the Old-Russian Chant |
Shindin Boris |
2 |
| The French Passacaglia and Chaconne in the Context of Grand Siècle Rhetorical Tradition |
Pylaeva Larisa |
2 |
| Modular Form in Music and Principles of Its Analysis |
Pereverzeva Marina |
2 |
| Carl Dahlhaus about the Future of the 18–20th-century Music Analysis |
Pylaev Michail |
2 |
| Interdisciplinary Focuses of the General Theory of Music |
Kholopova Valentina |
1 |
| Polyphony as an Educational Course of the Future |
Simakova Natalia |
1 |
| Russian Theoretical Concepts of Music History |
Zenkin Konstantin |
1 |
| “Bridge to Modernity”: The Harmony Course Targeted at the Learning of Musical Styles |
Lyzhov Grigory |
1 |
