Archive

Issue No. 1.2017 / 17
 

Diana ELokotyanova
 
 
 
 

Issue No. 4.2016 / 16

 
 
Lyudmila K. Shabalina, Elena E. Polotskaya
H. G. Neuhaus and his disciples in the Urals
 
 
Larisa L. Gerver

 

Issue No. 3.2016 / 15

 
 
 

Issue No. 2.2016 / 14

 
 
 
 
 

Issue No. 1.2016 / 13

 
 
 
 

Issue No. 4.2015 / 12

Mikhail A. Saponov, Konstantin V. Zenkin, Tatiana V. Tsaregradskaya
Three Variations on a Theme of an Opera Premiere
Materials of the virtual “round-table” discussing the trends and challenges of today's musical theater
(foreword and three interviews by Anna A. Amrakhova)
 
 
 
 

Issue No. 3.2015 / 11

Yulia S. Veksler
Two Viennese Schools of Twelve-tone Technique: Schönberg vs. Hauer

Elena A. Nikolayeva
Traditions and Prospects of Stylistically Oriented Ear Training by Prof. Nina Kachalina

Grigory I. Lyzhov
The World of Music from a Bird’s-eye View. Review of a book: Science with No Borders. Collection of Articles Dedicated to the 15th Anniversary of the Journal Musiqi dünyası (Baku). Moscow: Publishing House Kompozitor, 2015.

 

Issue No. 2.2015 / 10

Yulia V. Nikolayevskaya
The Obvious and the Latent in the Dramaturgy of a Musical Work 

Tatyana A. Litvinova
Ear Analysis of Tone Color in the Course of Ear Training 

Olga A. Dubatovskaya
Specificities of Choral Texture within a Non-Classical Context as Exemplified by Choral Works of Russian and Belorussian Composers 

 

Issue No. 1.2015 / 9

Konstantin V. Zenkin
Public Organizations of Russian Musicologists and Today’s Music Culture Development
 

Simon S. Desbruslais
The Western Reception of Sergei Taneyev

Marina R. Chernaya
Conventional and Special Aspects of Using Counterpoint by W. A. Mozart in His Keyboard Works

 

Issue No. 4а.2014 / 8а

Evgeniya I. Chigareva
Motif as a Musical Category within the Structure of a Literary Work

Galina V. Grigoryeva
Viktor Tsukkerman’s Method of Analyzing the Integrity of a Musical Piece in the Light of the History of Its Teaching during the Soviet Period and Its Renewal in Today’s Russian Scholarly Tradition

Olga P. Savitskaya
François Couperin’s Trio Sonatas as a Phenomenon of Genre and Style in the Instrumental Music of the Time of Baroque

Lyudmila S. D’yachkova
The Paths of Evolution of Leo Mazel’s School

Marina S. Skrebkova-Filatova
Sergey Skrebkov’s Theory of the Historical Evolution of Musical Styles in Today’s Context

 

Issue No. 4.2014 / 8

Grigory I. Lyzhov
Two interpretations of the notions of authentic and plagal as exemplified by Michael Praetorius

Pyotr A. Chernobrivets
The specificities of pitch relations in the context of the system of twenty-tone equal temperament

Elena V. Ferapontova
Musurgia universalis of the 21st century: review of a book The Phenomenon of Music by Valentina Kholopova (Moscow-Berlin: Direct-Media 2014)

 

Issue No. 3.2014 / 7

Styles. Trends. Schools.
 
 
Irina A. Skvortsova
 
From the history towards the theory
 
Fyodor M. Sofronov
 
Vladimir G. Tarnopolsky
 

Issue No. 2.2014 / 6

Alexey Panov, Ivan Rozanov
"Towards Tact and Tactus in German Baroque Treatises"

Gezina Schröder
"Rhythm & Meter in Sigfrid Karg-Elertʼs Work"

Nina Afonina
"The Paradoxes of Rhythm in the Musical Form"

Svetlana Chashchina
"Approaches to the Interpretation of the Harmonic Rhythm in Foreign Musicology"

 

Issue No. 1.2014 / 5

Konstantin Zenkin
Methodological Specificities of Music Studies: through the works of Russian Scholars

Valentina Kholopova
The Theory of Musical Content, Musical Hermeneutics and Musical Semantics: Similarity and Differences

 

Issue No. 4.2013 / 4 

Prof. Irina Susidko, D.A.
Issues of the analysis of the seventeenth-eighteenth-century Italian opera

Prof. Tatyana Tsaregradskaya, D.A.
On certain trends in the studies of the twentieth-century music in Europe and in Russia

Ascc. Prof. Lola Djumanova, Ph.D. in Art Studies
Problems and perspectives of Elementary Theory of Music in the context of continuous music education

 

Issue No. 3.2013 / 3

Prof. Zoya Glyadeshkina (1937–2014), Ph.D. in Art Studies (doctoral thesis completed and submitted)
The notions of modalité and tonalité in Russia’s nineteenth-century music theory

Assc. Prof. Margarita Katunyan, Ph.D. in Art Studies
Studying Harmony in a creative manner

Prof. Yulia Moskva, D.A.
The principles of Formbildung in Gregorian chant in view of the system of its melodic idioms

Assc. Prof. Marina Girfanova, Ph.D. in Art Studies
The development of isorhythm in early motets by Philippe de Vitry

Assc. Prof. Anna Grutsynova, D.A.
On the role of polyphonic fragments in ballets of the 19th and the beginning of the 20th centuries

Assc. Prof. Natalya Plotnikova, D.A.
On the technique of canon in Vassily Titov’s oeuvre

Prof. Nikolay Tarasevich, D.A.
Mensural notation. Mensural and proportional canons

Prof. Tatyana Frantova, D.A.
The practical targeting of the subject of Polyphony as a topical problem of music teaching in the 21st century

Prof. Elena Polotskaya, D.A.
Pyotr Tchaikovsky as a translator of François Gevaert

 

Issue No. 2.2013 / 2

Tatiana Naumenko
Today’s Musicology and “The Style of the Time”

Petr Tchernobrivets
On Perspective of the Functional Approach in the Research of Musical Stylistics

Elena Titova
A “Virtual Quotation” in Tchaikovsky’s Opera “The Queen of Spades” as a “Counter-textual Paradox”

Rimma Pospelova
The Treatise De mensurabili musica by Johannes de Garlandia

Boris Shindin
The Theory of Genres in the Old-Russian Chant

Larisa Pylaeva
The French Passacaglia and Chaconne in the Context of Grand Siècle Rhetorical Tradition

Marina Pereverzeva
Modular Form in Music and Principles of Its Analysis

Michail Pylaev
Carl Dahlhaus about the Future of the 18–20th-century Music Analysis

Tatiana Kyuregyan
Musical Form as an Educational Subject at the Moscow Conservatory

 

Issue No. 1.2013 / 1 

Alexander Sokolov
The Music Theory Department Twenty Years After

Evgeny Nazaykinsky
The Music Theory Department of Tchaikovsky Moscow State Conservatory

Valentina Kholopova
Interdisciplinary Focuses of the General Theory of Music

Konstantin Zenkin
Russian Theoretical Concepts of Music History

Alexander Bonduryansky
The Forecast of Professional Music Education in Russia

Grigory Lyzhov
“Bridge to Modernity”: The Harmony Course Targeted at the Learning of Musical Styles

Natalia Simakova
Polyphony as an Educational Course of the Future

Igor Kuznetsov
The Current State of, and Development Perspective for, Polyphony as an Educational Subject at the Moscow Conservatory