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Issue 2026 №1 (53)

Amrakhova Anna A., Zenkin Konstantin V., Savenko Svetlana I., Chigareva Evgenia I.
Metadiscourse of Russian Musical Culture: Issue 10. A Letter by S. Gubaidulina to A. Vustin dated March 30, 1978

Karaseva Marina V.
The Semantic Geometry of Melodic Lines in “The Umbrellas of Cherbourg”: From Roots to Shoots (Multimedia masterclass on developing intonational sensitivity.)

Amrakhova Anna A.
Symphonism: What has become of it in the 21st century?

Veksler Yulia S.
“The last flower from the hothouse of post-romanticism.” Alban Berg in the mirror of Pierre Boulez’s musical and aesthetic views

Sokolova Larisa P., Sadovskaya Daria S.
S. M. Lyapunov’s “Hashish”: A Unique Key to the Composer’s Symphonic Work

Shmeleva Polina P.
The forms of the scherzo in the symphonies of Emilie Mayer: from the classical models to the romantic ones

Shulga Angelina V.
Principles of Binary and Ternary Form in the Structure of Italian Keyboard Sonatas of the Mid‑Eighteenth Century