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Karayev Faraj

ISSN 2308-1333

Composer, Professor of Music Theory Department of Tchaikovsky Moscow State Conservatory

E-mail: karaevfg88@mail.ru

Metadiscourse of Russian Musical Culture: Issue 2. ASM-2 and SoMa: a Collective Chronicle of Relationships

Abstract

The collection of materials consists of two sections. The first is the transcript of the Association of Contemporary Music (ASM-2) meeting, where D. Kurlyandsky’s opera “Nosferatu” was discussed. The second contains the correspondence with the members of the meeting held 10 years later. The musicologist A. Amrakhova has made an attempt to comprehend the underlying cause of antagonism between the two branches of the Russian avant-garde.

Keywords

Delayed Premieres

Abstract

The topic for discussion of the leading musicologists-historians S. I. Savenko, L. V. Kirillina, Yu. S. Veksler was the phenomenon of “delayed premieres” in world culture, when the opus was first presented to the public much later than the time of the end of work on it. The problem is considered in a broad cultural aspect, since such a reinterpretation of cultural events when they fall into a different historical environment is a fairly common phenomenon.

Register of Our Delusions. Part 2: conversations with composers (presenter — A. A. Amrakhova)

Abstract
A. A. Amrakhova's questions are answered by the leading Russian composers: V. G. Tarnopolskiy, Yu. S. Kasparov, Yu. V. Vorontsov, F. K. Karayev, K. A. Umanskiy, D. A. Kurlyandskiy. The discussion is focused on the problems of composition teaching in a contemporary cultural situation, the changed scale of values, and the specifics of the composers‘ analysis of music.

Keywords
contemporary music, avant-gardism, postmodernism, composition teaching, the musicologist’s and composer’s analysis, traditions and epigonism in art

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