ISSN 2308-1333
Spacio-Temporal Dominants in Art: Sources for Formation and Peculiarities
Abstract
The paper considers the issue of the priority of spatial vectors in music and painting. The author applies the analysis of data from various fields of knowledge, including the evidence and research made by musicians themselves, as well as by V. Kandinsky. The bibliographic analysis predetermines a number of tasks for the further study. The relevance of correlations of objective phenomena and the regularities with stable gestalts of spatio-temporal order in different cultures and arts is proved.
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Metadiscourse of Russian Musical Culture: Issue 2. ASM-2 and SoMa: a Collective Chronicle of Relationships
Abstract
The collection of materials consists of two sections. The first is the transcript of the Association of Contemporary Music (ASM-2) meeting, where D. Kurlyandsky’s opera “Nosferatu” was discussed. The second contains the correspondence with the members of the meeting held 10 years later. The musicologist A. Amrakhova has made an attempt to comprehend the underlying cause of antagonism between the two branches of the Russian avant-garde.
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