Archive
ISSN 2308-1333
Issue 2024 №1 (45)
Anna A. Amrakhova
Metadiscourse of Russian Musical Culture: Issue 5 In memory of V. A. Ekimovskiy
Alexander M. Raskatov
The knight errant of the avant-garde: remembering Victor Ekimovskiy
Ekaterina S. Vlasova
From the history of ASM-I: “contemporaneity”
Federico Favali
Latent figures and recondite geometries in Scriabin’s Prelude op. 74 no. 1
Issue 2023 №4 (44)
Lachenmann Helmut Friedrich
Siciliano – Illustrations and Comment Fragments (to Hans Zender, to whom the “Dance Suite with a Song about Germany” is dedicated)
Ekaterina G. Okuneva, Alexandra Yu. Dubova
Music by André Previn for the Film by Richard Brooks “Elmer Gantry” (1960) as a Semantic Factor
Lesovichenko Andrey M, Laluev Vladimir Y.
Aspects of Blasphemy in Soviet Music
Rossi Marina
Longing, Obsession, and Play: Ligeti’s Early Compositions for Women’s Choirs
Issue 2023 №3 (43)
Amrakhova Anna A., Karayev Faraj K.
A “Lifelong” Interview about Father (Metadiscourse of National Musical Culture: Issue 4)
Amrakhova Anna A., Farkhadov Rauf Y.
Composer Faraj Karayev. About His Life Values, Teachers, Friends and a Little Bit about His Style: for the Anniversary of the Master
Anastasia A. Nemtsova
The Extraordinary Adventures of Orpheus in the Tragicomedy of the Same Name by Aurelio Aureli and Antonio Sartorio (1672)
Issue 2023 №2 (42)
Amrakhova Anna A., Yelyanova Marina L.
Metadiscourse of Russian Musical Culture: Issue 3. A. K. Vustin. The 80th Anniversary of the Composer. The History of the “Brown Notebook”, the Magazine “Modernist” and the “Warsaw Discussion Club of Modernists”
Veksler Yulia S.
György Ligeti and Dadaism
Esipova Margarita V.
The Law of Dynamic Progression (jo-ha-kyu) and "Pause" (ma) in Traditional Musical Theatre, Music, and Other Temporary Arts of Japan: the Problem of the Analytical Approach
Koryapina Tatyana P.
Transformation of the Finale in Three Editions of the Fourth Piano Concerto by S. V. Rachmaninoff: A New Look at the Form
Issue 2023 №1 (41)
Amrakhova Anna A. , Viktor A. Ekimovskiy., Faraj K. Karayev., Dmitriy A. Kurlyandskiy., Vladimir A. Nikolayev., Rauf Y. Farkhadov
Metadiscourse of Russian Musical Culture: Issue 2. ASM-2 and SoMa: a Collective Chronicle of Relationships
Sokolov Alexander S.
“With Sadness I Survey Our Present Generation!..”
Taganov Oleg N.
Spacio-Temporal Dominants in Art: Sources for Formation and Peculiarities
Выпуск 2022 №4 (40)
Амрахова Анна А. , Воронцов Юрий В., Зенкин Константин В. , Уманский Кирилл А. , Цыпин Вячеслав Г.
Метадискурс современной музыкальной культуры России (дискуссии о Веберне)
Федусова Алина А.
«Дом там, далеко, там» : песни П. Хааса из концлагеря Терезиенштадт
Кожевникова Анастасия Р.
Исполнительское искусство в музыке: теоретические аспекты
Концерт Мура Брайана Роберта
Гайдна для трубы в двадцатом веке (перевод Н. А. Токарева)
Выпуск 2022 №3 (39)
Елена В. Ровенко
Музыка как смыслообразующая составляющая мифа о Ван Гоге
Анна Александровна Амрахова
Очерк классификации индивидуальных проектов в современной композиции
Валерий Н. Сыров
Некоторые особенности формообразования в современной рок-музыке
Ирина Владимировна Полозова
Саратовское историко-теоретическое музыкознание: история за 110 лет
Выпуск 2022 №1 (37)
Людмила И. Сундукова
О культурном контексте светских заимствований в богослужебной музыке эпохи Возрождения
Татьяна Р. Бочкова
Сольная соната для органа в творчестве К. Ф. Э. Баха: между барокко и классицизмом
Выпуск 2021 №4 (36)
Сергей Сергеевич Терентьев
Дирижер Игорь Блажков – «Апостол новой музыки»
Екатерина О. Купровская, Рафаэль Сендо
«Представить время сегодняшнее»
Екатерина О. Купровская, Франсуа Меймун
«Моя музыка поет»
Валентина Владимировна Рубцова, Павел Александрович Шацкий
«Не только дань уважения…»
Выпуск 2021 №2 (34)
Анна Михайловна Горшкова
Александр Островский и Антон Аренский: От воеводы до мечты на Волге
Иван Д. Поршнев
«Pas d'Acier» С. Прокофьева в СССР (1927–1932): история сценической судьбы
Ekaterina O. Kouprovskaia, André Bon
“I prefer a natural sound”
Ekaterina O. Kouprovskaia, Augustin Braud
“To Keep Your Eyes and Brain Open”
Issue 2021 №1 (33)
Andrey M. Lesovichenko
The Foreign Music History Department of the Moscow Conservatory at the Turn of the Century: the 75th Anniversary of Mikhail Alexandrovich Saponov
Nataliya V. Guryeva, Olga V. Tyurina
Old Russian Singing Terminology in the Special Course “History of Russian Music of the 11th – 18th Centuries” at Moscow State Tchaikovsky Conservatory
Violetta N. Yunusova, Ding Rong
Modern Chinese opera (late XX – early XXI centuries) and “The First Emperor” by Tan Dun
Maria S. Shutkova
The Artistic World of Maurice Maeterlinck’s drama “Ariane et Barbe-Bleue” in view of Paul Dukas: The Composer’s Work on the Playwright’s Text
Issue 2020 №4 (32)
Anna A. Amrakhova, Levon O. Akopyan, Ivanka Stoianova, Tatyana V. Tsaregradskaya,
Music at the Period of Post-Postmodernism
Anna A. Amrakhova, Alexander M. Khubeev
Alexander Khubeev Shares His Experience of Working in Germany
Ekaterina O. Kouprovskaia, Philippe Hurel
“To hear what you write”
Ekaterina O. Kouprovskaia, Philippe Leroux
“To Create a Sensation of Continuum”
Issue 2020 №3 (31)
Grigoryeva Galina V.
Metaphorical Terminology in the Russian Methodology of Holistic Analysis
Nevidimova Maria A.
From Kammerspiele to Existential Tragedy: the Role of Music in "Stroszek" and "Woyzeck" by Werner Herzog
Timofeeva Anastasia N.
"Where Did You Come from, Wanderer?": Two Romances by G. V. Sviridov to Words by B. L. Pasternak (1935)
Issue 2020 №2 (30)
Loseva Olga V.
False Recapitulation: Considerations Regarding the History of the Term and the Method
Dobzhanskaya Oksana E.
From Heroic Epic Olonkho — to Opera and Film Music (the Stages of Development of the Music of Yakut Composers)
Moskvina Yuliya V.
A Term imitatio in Authentical and Modern Terminology
Belyansky Dmitry V.
The Golden Age of Danish Culture. Aesthetics and Poetics of Art
Issue 2020 №1 (29)
Amrakhova A. A., Veksler Yulia S., Vustin Aleksandr K., Karayev Faraj K., Kirillina Larissa V., Savenko Svetlana I., Umanskiy Kirill A.
Delayed Premieres
Sokolov Aleksandr S.
Regarding the Problem of Logical Definitions of the Concept of ‘Musical Form’
Chigareva Evgenia I.
Homonymous Terms in Musical and Philological Studies
Chekhovich Dmitry O.
Difficulties in comparing tempos and a new approach to their measurement
Issue 2019 №4 (28)
Naumenko Tatyana I., Susidko Irina P.
Musical Term As a Problem: About the IV Congress of the Society for Theory of Music
Kholopova Valentina N.
The Concept of “Multimedia” in the Music of Igor Kefalidi
Daunoravičienė Gražina
Theoretical System in O. Balakauskas’ “Dodecatonics” (1997): a Discourse of Composer’s Creation
Rovenko Elena V.
On the Comprehension of the Phenomenon of Musical Time in Vincent d’Indy’s ‘Cours de composition Musicale’
Ryzhkova Nataliya P.
On the Term “Leitmotiv” and Its Synonyms in V. D’Indy’s Terminological System
Kasimova Anastasiya R.
On Vincent d'Indy's Original Analysis of His Symphonic Works: Regarding the Problem of the French Terminology
On the Term “Leitmotiv” and Its Synonyms in V. D’Indy’s Terminological System
On Vincent d'Indy's Original Analysis of His Symphonic Works: Regarding the Problem of the French Terminology
Issue 2019 / 3 (27)
Anna A. Amrakhova, Konstantin V. Zenkin, Tatyana A. Kurysheva, Roman А. Nassonov, Andrey A. Ustinov
Music criticism – yesterday, today… And will it be tomorrow?
Lachenmann Helmut Friedrich
Accanto
Rovenko Elena V.
On the Phenomenon of a Revolution in View of Jean Renoir(materials of the III International Congress of Russian Society on Music Theory)
Gordon Alexander O.
Musical and Architectural Gesamtkunstwerk: on the Acoustic Determinism of the Orchestral Style of R. Wagner's Drama “Parsifal”
Soldatova Svetlana E.
Genre of symphony concertante in its historical evolution
Issue No.2. 2019 / 26
Hermann Danuser
"Die Meistersinger von Nürnberg" — The Artistic Cosmos of a Metadrama
Evgenia I. Chigareva
“An Alien Word” in the Composer's Work: Alfred Schnittke and Nikolai Korndorf
Yuri V. Vorontsov
My meetings with Nikolai Korndorf
Yulia S. Veksler
On Bergiana of Theodor Adorno
Mikhail M. Iglitskii
Illusion of Traditionality: Music of Alexander Chugaev
Larissa V. Kirillina
Bach, revealed and unfathomable
Helmut Friedrich Lachenmann
Self-portrait 197
Issue No.1. 2019 / 25
Anna A. Amrakhova., Vladimir G. Tarnopolsky
Четверть века в фарватере Новой музыки, или Музыка ХХI века — взгляд изнутри
Tatyana S. Kyuregyan
Yuri Nikolaevich Tyulin about Musicians and Musicology (Interview with Yu. N. Kholopov of 1 February 1968)
Olga A. Astachova
Method of Chronotopical Analysis of Musical Work (by the example of Debussy’s prelude ‘Canope’)
Juliya М. Belous
Music Press-1917: Peripeteias in the Editorial Policy of the Muzykalny Sovremennik Magazine
Nataliya P. Ryzhkova
Libretto of Vincent d’Indy’s Opera «L’Étranger» and Henrik Ibsen’s Plays: Essay of the Comparative Analysis
Issue No.4. 2018 / 24
Anna A. Amrakhova., Levon O. Akopyan., Svetlana I. Savenko., Jahangir Selimkhanov., Tatyana V. Tsaregradskaya
Music of the 21st century: first results
Alfred Whitford (Fred) Lerdahl
Generative Music Theory in Relation to the Schenkerian and Riemannian Traditions
Svetlana I. Savenko
Aesthetics and style of Arvo Pärt’s work: revolution or evolution?
Galina V. Grigoryeva
The unknown opera by Edison Denisov
Yan Jianan, Violetta N. Yunusova
Chinese ‘New Wave’ and the work of Xu Changjun
Issue No. 3.2018 / 23
Nikolay I. Tarasevich
“Profound Change in Style” in W. A. Mozart’s oeuvre: Sonata KV 533/494
Julia V. Moskva
Methodology of the Historical and Geographic Localization of the Latin Musical-Liturgical Manuscripts
Elena V. Rovenko
On Painting and Musical Analysis: to the Problem of Interdisciplinary Research
Alesia S. Tekucheva
Parte del Tomaso Vitalino. “Vitali’s Chaconne” as a Phenomenon of Baroque Art
Issue No. 2.2018 / 22
Elena V. Rovenko
“Cher Chopin”: On the Importance of the Composer for E. Delacroix’s Life and Oeuvre
Svetlana V. Chashchina
"Free" or "Intonation" Rhythm: to the Issue of Methodological Approaches in Contemporary Musicology
Andrey M. Lesovichenko
Konstantin Vladimirovich Zenkin — Music Historian, Aesthetician, Pianist
Issue No. 1.2018 / 21
Larisa L. Gerver
A Technique of Inversion in Polyphonic Theory and Practice of the latter half of the 16th–18th centuries: syllables and tones
Zivar M. Guseynova
The Events of the Year 1917 in the Rimsky-Korsakov Family Correspondence
Yulia S. Veksler
Music and revolution of Erwin Schulhoff: from Dada to “The Communist Manifesto”
Veniamin E. Smotrov
Leo Ornstein as a Russian Composer: On the Problem ‘Leo Ornstein and Russia’
Tatyana V. Tsaregradskaya
Music of the Soviet Era: a Hundred Years Later
Review of the book: Hakobian L. Music of Soviet Era: 1917–1991. Second edition. London, New York: Routledge, Taylor & Francis Group, 2017. xvi, 512 p. (Routledge Russian and East European Music and Culture)
Issue No. 4.2017 / 20
Anna A. Amrakhova, Vladimir G. Tarnopolskiy, Yury S. Kasparov, Yury V. Vorontsov, Faradj K. Karayev, Kirill A. Umanskiy, Dmitriy A. Kurlyandskiy
Register of Our Delusions. Part 2: conversations with composers (presenter — A. A. Amrakhova)
Tatyana V. Tsaregradskaya
“Energeticism” as a trend of the twentieth-century music analysis
Ivanka Stoianova
On the Reinterpretation of Music, Musicology and Aesthetics at the Parisian IRCAM
Marina V. Karaseva
Ethnic ear-training of the Digital Century
Issue No. 3.2017 / 19
Anna A. Amrakhova, Levon O. Akopyan, Mikhail A. Saponov, Roman A. Nassonov and Konstantin V. Zenkin
Register of Our Delusions (conversations and reflections concerning Russian musicology, presenter — A. A. Amrakhova)
Anna A. Maklygina
Words of Varese and about him (from the Archives of composer in Paul Sacher Stiftung)
Giorgio Sanguinetti
Enigma out of the clear sky: partimenti and their role in music theory of 18th century
Issue No. 2.2017 / 18
National Schools in the Era of Globalization: “history with geography”
(interviews and conversations with L. O. Akopyan, K. V. Zenkin, L. V. Kirillina, A. M. Raskatov, J. Selimkhanov, V. N. Yunusova, presenter — A. A. Amrakhova)
Valentina N. Kholopova
Boris Vladimirovich Asafyev: Ideas for Centuries
Albina V. Boyarkina
Russian translations of works by Hugo Riemann
Alexandra A. Safonova
The phenomenon of introduction of an opera to foreign-language culture: XVIII century, Sheremetev’s versions
Issue No. 1.2017 / 17
“Musical dedications” in the Russian instrumental music at the turn of XIX – XX centuries (statement of a question)Konstantin V. Zenkin
The concept of musical rhythm in the works by E. A. Ruchyevskaya
The notion of “musical idiom” in Russian musicological tradition: an essay in interpretation and application
Issue No. 4.2016 / 16
A. F. Losev about music critics
The tendencies in musicology in Russia: basing on data of dissertations of 1930s – 2000s
H. G. Neuhaus and his disciples in the Urals
Issue No. 3.2016 / 15
R. N. Berberov's Analytical Concept in Reference to Structural and Processual Correspondences in Musical Form
On the Issue of Teaching So-called ‘Nationalist Composers’ as Exemplified by Heinrich Litinsky and Albert Lehmann
Issue No. 2.2016 / 14
Development of The i:m:t-Triad by Boris V. Asafiev in Functional Theory of Victor P. Bobrovskiy
Theory of cyclic forms in E. V. Nazaykinsky’s heritage
Alexander D. Alekseev’s scientific and pedagogical school
Music as a subject of philosophical reflection
Issue No. 1.2016 / 13
The Concept of Tonality Evolution by Yuri Kholopov
The Traditions of Moscow Harmony School as a Teaching Method at The Central Music School of The Moscow State Conservatory
Taneyev, Skryabin, and the Orchestra: Concepts of Thematic Unity in Russian Symphonies at the Turn of the 20th Century
Issue No. 4.2015 / 12
Three Variations on a Theme of an Opera Premiere
Materials of the virtual “round-table” discussing the trends and challenges of today's musical theater
(foreword and three interviews by Anna A. Amrakhova)
Beyond the Opera Production (about the process of working on my opera Beyond the Shadow)
The Phenomenon of New Musical Theater
Issue No. 3.2015 / 11
Yulia S. Veksler
Two Viennese Schools of Twelve-tone Technique: Schönberg vs. Hauer
Elena A. Nikolayeva
Traditions and Prospects of Stylistically Oriented Ear Training by Prof. Nina Kachalina
Issue No. 2.2015 / 10
Yulia V. Nikolayevskaya
The Obvious and the Latent in the Dramaturgy of a Musical Work
Tatyana A. Litvinova
Ear Analysis of Tone Color in the Course of Ear Training
Olga A. Dubatovskaya
Specificities of Choral Texture within a Non-Classical Context as Exemplified by Choral Works of Russian and Belorussian Composers
Issue No. 1.2015 / 9
Konstantin V. Zenkin
Public Organizations of Russian Musicologists and Today’s Music Culture Development
Simon S. Desbruslais
The Western Reception of Sergei Taneyev
Marina R. Chernaya
Conventional and Special Aspects of Using Counterpoint by W. A. Mozart in His Keyboard Works
Issue No. 4а.2014 / 8а
The Music Theory of Today: Problems and Prospective of the Disciplinary Matrix
Evgeniya I. Chigareva
Motif as a Musical Category within the Structure of a Literary Work
Olga P. Savitskaya
François Couperin’s Trio Sonatas as a Phenomenon of Genre and Style in the Instrumental Music of the Time of Baroque
Lyudmila S. D’yachkova
The Paths of Evolution of Leo Mazel’s School
Marina S. Skrebkova-Filatova
Sergey Skrebkov’s Theory of the Historical Evolution of Musical Styles in Today’s Context
Issue No. 4.2014 / 8
Grigory I. Lyzhov
Two interpretations of the notions of authentic and plagal as exemplified by Michael Praetorius
Pyotr A. Chernobrivets
The specificities of pitch relations in the context of the system of twenty-tone equal temperament
Elena V. Ferapontova
Musurgia universalis of the 21st century: review of a book The Phenomenon of Music by Valentina Kholopova (Moscow-Berlin: Direct-Media 2014)
Issue No. 3.2014 / 7
“Musique saturée” as a brand-new trend in today’s French school of composition
Issue No. 2.2014 / 6
Alexey Panov, Ivan Rozanov
"Towards Tact and Tactus in German Baroque Treatises"
Gezina Schröder
"Rhythm & Meter in Sigfrid Karg-Elertʼs Work"
Nina Afonina
"The Paradoxes of Rhythm in the Musical Form"
Svetlana Chashchina
"Approaches to the Interpretation of the Harmonic Rhythm in Foreign Musicology"
Issue No. 1.2014 / 5
Konstantin Zenkin
Methodological Specificities of Music Studies: through the works of Russian Scholars
Valentina Kholopova
The Theory of Musical Content, Musical Hermeneutics and Musical Semantics: Similarity and Differences
Issue No. 4.2013 / 4
Prof. Irina Susidko, D.A.
Issues of the analysis of the seventeenth-eighteenth-century Italian opera
Prof. Tatyana Tsaregradskaya, D.A.
On certain trends in the studies of the twentieth-century music in Europe and in Russia
Ascc. Prof. Lola Djumanova, Ph.D. in Art Studies
Problems and perspectives of Elementary Theory of Music in the context of continuous music education
Issue No. 3.2013 / 3
Prof. Zoya Glyadeshkina (1937–2014), Ph.D. in Art Studies (doctoral thesis completed and submitted)
The notions of modalité and tonalité in Russia’s nineteenth-century music theory
Assc. Prof. Margarita Katunyan, Ph.D. in Art Studies
Studying Harmony in a creative manner
Prof. Yulia Moskva, D.A.
The principles of Formbildung in Gregorian chant in view of the system of its melodic idioms
Assc. Prof. Marina Girfanova, Ph.D. in Art Studies
The development of isorhythm in early motets by Philippe de Vitry
Assc. Prof. Anna Grutsynova, D.A.
On the role of polyphonic fragments in ballets of the 19th and the beginning of the 20th centuries
Assc. Prof. Natalya Plotnikova, D.A.
On the technique of canon in Vassily Titov’s oeuvre
Prof. Nikolay Tarasevich, D.A.
Mensural notation. Mensural and proportional canons
Prof. Tatyana Frantova, D.A.
The practical targeting of the subject of Polyphony as a topical problem of music teaching in the 21st century
Prof. Elena Polotskaya, D.A.
Pyotr Tchaikovsky as a translator of François Gevaert
Issue No. 2.2013 / 2
Tatiana Naumenko
Today’s Musicology and “The Style of the Time”
Petr Tchernobrivets
On Perspective of the Functional Approach in the Research of Musical Stylistics
Elena Titova
A “Virtual Quotation” in Tchaikovsky’s Opera “The Queen of Spades” as a “Counter-textual Paradox”
Rimma Pospelova
The Treatise De mensurabili musica by Johannes de Garlandia
Boris Shindin
The Theory of Genres in the Old-Russian Chant
Larisa Pylaeva
The French Passacaglia and Chaconne in the Context of Grand Siècle Rhetorical Tradition
Marina Pereverzeva
Modular Form in Music and Principles of Its Analysis
Michail Pylaev
Carl Dahlhaus about the Future of the 18–20th-century Music Analysis
Tatiana Kyuregyan
Musical Form as an Educational Subject at the Moscow Conservatory
Issue No. 1.2013 / 1
Alexander Sokolov
The Music Theory Department Twenty Years After
Evgeny Nazaykinsky
The Music Theory Department of Tchaikovsky Moscow State Conservatory
Valentina Kholopova
Interdisciplinary Focuses of the General Theory of Music
Konstantin Zenkin
Russian Theoretical Concepts of Music History
Alexander Bonduryansky
The Forecast of Professional Music Education in Russia
Grigory Lyzhov
“Bridge to Modernity”: The Harmony Course Targeted at the Learning of Musical Styles
Natalia Simakova
Polyphony as an Educational Course of the Future
Игорь Кузнецов
Современное состояние и перспективы развития полифонии как учебного предмета в Московской консерватории