Longing, Obsession, and Play: Ligeti’s Early Compositions for Women’s Choirs |
Rossi Marina |
44 |
Aspects of Blasphemy in Soviet Music |
Laluev Vladimir Y., Lesovichenko Andrey |
44 |
Music by André Previn for the Film by Richard Brooks “Elmer Gantry” (1960) as a Semantic Factor |
Dubova Alexandra Yu., Okuneva Ekaterina G. |
44 |
Siciliano – Illustrations and Comment Fragments (to Hans Zender, to whom the “Dance Suite with a Song about Germany” is dedicated) |
Lachenmann Helmut Friedrich |
44 |
The Extraordinary Adventures of Orpheus in the Tragicomedy of the Same Name by Aurelio Aureli and Antonio Sartorio (1672) |
Nemtsova Anastasia A. |
43 |
Concerning the problem of comparative art criticism methodology in the context of musicology in a multicultural world |
Lian Yicen |
43 |
Composer Faraj Karayev. About His Life Values, Teachers, Friends and a Little Bit about His Style: for the Anniversary of the Master |
Amrakhova Anna, Farkhadov Rauf Y. |
43 |
A “Lifelong” Interview about Father (Metadiscourse of National Musical Culture: Issue 4) |
Amrakhova Anna, Karayev Faraj |
43 |
Transformation of the Finale in Three Editions of the Fourth Piano Concerto by S. V. Rachmaninoff: A New Look at the Form |
Koryapina Tatyana P. |
42 |
The Law of Dynamic Progression (jo-ha-kyu) and "Pause" (ma) in Traditional Musical Theatre, Music, and Other Temporary Arts of Japan: the Problem of the Analytical Approach |
Esipova Margarita V. |
42 |