On certain trends in the studies of the twentieth-century music in Europe and in Russia |
Tsaregradskaya Tatyana |
4 |
Problems and perspectives of Elementary Theory of Music in the context of continuous music education |
Djumanova Lola |
4 |
The notions of modalité and tonalité in Russia’s nineteenth-century music theory |
Glyadeshkina Zoya |
3 |
Studying Harmony in a creative manner |
Katunyan Margarita |
3 |
The principles of Formbildung in Gregorian chant in view of the system of its melodic idioms |
Moskva Yulia |
3 |
The development of isorhythm in early motets by Philippe de Vitry |
Girfanova Marina |
3 |
On the role of polyphonic fragments in ballets of the 19th and the beginning of the 20th centuries |
Grutsynova Anna |
3 |
On the technique of canon in Vassily Titov’s oeuvre |
Plotnikova Natalya |
3 |
Mensural notation. Mensural and proportional canons |
Tarasevich Nikolay |
3 |
The practical targeting of the subject of Polyphony as a topical problem of music teaching in the 21st century |
Frantova Tatyana |
3 |