| On Painting and Musical Analysis: to the Problem of Interdisciplinary Research |
Rovenko Elena |
23 |
| Methodology of the Historical and Geographic Localization of the Latin Musical-Liturgical Manuscripts |
Moskva Yulia |
23 |
| “Profound Change in Style” in W. A. Mozart’s oeuvre: Sonata KV 533/494 |
Tarasevich Nikolay |
23 |
| Konstantin Vladimirovich Zenkin — Music Historian, Aesthetician, Pianist |
Lesovichenko Andrey |
22 |
| "Free" or "Intonation" Rhythm: to the Issue of Methodological Approaches in Contemporary Musicology |
Chashchina Svetlana |
22 |
| “Cher Chopin”: On the Importance of the Composer for E. Delacroix’s Life and Oeuvre |
Rovenko Elena |
22 |
| Music of the Soviet Era: a Hundred Years Later |
Tsaregradskaya Tatyana |
21 |
| The Events of the Year 1917 in the Rimsky-Korsakov Family Correspondence |
Guseynova Zivar |
21 |
| A Technique of Inversion in Polyphonic Theory and Practice of the latter half of the 16th–18th centuries: syllables and tones |
Gerver Larisa |
21 |
| Music and revolution of Erwin Schulhoff: from Dada to “The Communist Manifesto” |
Veksler Yulia |
21 |
