| The Muse vs The Fashion (According to the Pages of N. Medtner's Treatise) |
Levaya T. N. |
35 |
| “To Keep Your Eyes and Brain Open” |
Kouprovskaia Ekaterina |
34 |
| “I prefer a natural sound” |
Kouprovskaia Ekaterina |
34 |
| «Pas d’Acier» by S. Prokofiev in USSR (1927–1932): the History of a Stage Fate |
Porshnev Ivan D. |
34 |
| Alexander Ostrovsky and Anton Arensky: From The Voyevoda to Dream on the Volga |
Gorshkova Anna M. |
34 |
| The Artistic World of Maurice Maeterlinck’s drama “Ariane et Barbe-Bleue” in view of Paul Dukas: The Composer’s Work on the Playwright’s Text |
Shutkova M. S. |
33 |
| Modern Chinese opera (late XX – early XXI centuries) and “The First Emperor” by Tan Dun |
Ding Rong, Yunusova Violetta |
33 |
| Old Russian Singing Terminology in the Special Course “History of Russian Music of the 11th – 18th Centuries” at Moscow State Tchaikovsky Conservatory |
Guryeva N. V., Tyurina O. V. |
33 |
| The Foreign Music History Department of the Moscow Conservatory at the Turn of the Century: the 75th Anniversary of Mikhail Alexandrovich Saponov |
Lesovichenko Andrey |
33 |
| “To Create a Sensation of Continuum” |
Kouprovskaia Ekaterina |
32 |
