| “To hear what you write” |
Kouprovskaia Ekaterina |
32 |
| Alexander Khubeev Shares His Experience of Working in Germany |
Amrakhova Anna |
32 |
| Music at the Period of Post-Postmodernism |
Akopyan Levon, Amrakhova Anna, Stoianova Ivanka, Tsaregradskaya Tatyana |
32 |
| Composition and Drama Role of the Voice in the Following Instrumental Works by Nikolai Korndorf: Canzone Triste for Harp (1998), Chamber Symphony Confessiones for 14 performers and tape recording (1979), Quartet for two violins, viola and chello (1992) |
Zubova Olesya A. |
31 |
| "Where Did You Come from, Wanderer?": Two Romances by G. V. Sviridov to Words by B. L. Pasternak (1935) |
Timofeeva Anastasia N. |
31 |
| From Kammerspiele to Existential Tragedy: the Role of Music in "Stroszek" and "Woyzeck" by Werner Herzog |
Nevidimova Maria A. |
31 |
| Metaphorical Terminology in the Russian Methodology of Holistic Analysis |
Grigoryeva Galina |
31 |
| The Golden Age of Danish Culture. Aesthetics and Poetics of Art |
Belyansky Dmitry V. |
30 |
| A Term imitatio in Authentical and Modern Terminology |
Moskvina Yuliya V. |
30 |
| From Heroic Epic Olonkho — to Opera and Film Music (the Stages of Development of the Music of Yakut Composers) |
Dobzhanskaya Oksana E. |
30 |
