‘Letter to V. Martynov and G. Pelecis’ (1999): Intertextuality and Wealth of Meanings in Nikolai Korndorf’s Final Piano Work |
Wilson Tara |
25 |
Yuri Nikolaevich Tyulin about Musicians and Musicology (Interview with Yu. N. Kholopov of 1 February 1968) |
Kyuregyan Tatiana |
25 |
Chinese ‘New Wave’ and the work of Xu Changjun |
Jianan Yan, Yunusova Violetta |
24 |
The unknown opera by Edison Denisov |
Grigoryeva Galina |
24 |
Aesthetics and style of Arvo Pärt’s work: revolution or evolution? |
Savenko Svetlana |
24 |
Generative Music Theory in Relation to the Schenkerian and Riemannian Traditions |
Lerdahl Alfred Whitford (Fred) |
24 |
Music of the 21st century: first results |
Akopyan Levon, Amrakhova Anna, Savenko Svetlana, Selimkhanov Jahangir, Tsaregradskaya Tatyana |
24 |
Parte del Tomaso Vitalino. “Vitali’s Chaconne” as a Phenomenon of Baroque ArtParte del Tomaso Vitalino. “Vitali’s Chaconne” as a Phenomenon of Baroque Art |
Tekucheva Alesia |
23 |
On Painting and Musical Analysis: to the Problem of Interdisciplinary Research |
Rovenko Elena |
23 |
Methodology of the Historical and Geographic Localization of the Latin Musical-Liturgical Manuscripts |
Moskva Yulia |
23 |