| On Invariant Features of Formation in European Vocal Music of the Classical-Romantic Tradition |
Chernova Tatiana Y. |
46 |
| Problems of genre classification of Gregorian chant |
Moskva Yulia |
46 |
| On the threshold of retrospective generalizations and perspective of expectations |
Sokolov Alexander |
46 |
| Latent figures and recondite geometries in Scriabin’s Prelude op. 74 no. 1 |
Favali Federico |
45 |
| From the history of ASM-I: “contemporaneity” |
Vlasova Ekaterina S. |
45 |
| The knight errant of the avant-garde: remembering Victor Ekimovskiy |
Raskatov Alexander M. |
45 |
| Metadiscourse of Russian Musical Culture: Issue 5 In memory of V. A. Ekimovskiy |
Amrakhova Anna |
45 |
| Longing, Obsession, and Play: Ligeti’s Early Compositions for Women’s Choirs |
Rossi Marina |
44 |
| Aspects of Blasphemy in Soviet Music |
Laluev Vladimir Y., Lesovichenko Andrey |
44 |
| Music by André Previn for the Film by Richard Brooks “Elmer Gantry” (1960) as a Semantic Factor |
Dubova Alexandra Yu., Okuneva Ekaterina G. |
44 |
