| A “Lifelong” Interview about Father (Metadiscourse of National Musical Culture: Issue 4) |
Amrakhova Anna, Karayev Faraj |
43 |
| Transformation of the Finale in Three Editions of the Fourth Piano Concerto by S. V. Rachmaninoff: A New Look at the Form |
Koryapina Tatyana P. |
42 |
| The Law of Dynamic Progression (jo-ha-kyu) and "Pause" (ma) in Traditional Musical Theatre, Music, and Other Temporary Arts of Japan: the Problem of the Analytical Approach |
Esipova Margarita V. |
42 |
| György Ligeti and Dadaism |
Veksler Yulia |
42 |
| Metadiscourse of Russian Musical Culture: Issue 3. A. K. Vustin. The 80th Anniversary of the Composer. The History of the “Brown Notebook”, the Magazine “Modernist” and the “Warsaw Discussion Club of Modernists” |
Amrakhova Anna, Yelyanova Marina L. |
42 |
| Canonic Technique in the Motets by Thomas Tallis and William Byrd from the ‘Cantiones quae ab argumento sacrae vocantur’ collection (1575) |
Konkin Gleb A. |
41 |
| Spacio-Temporal Dominants in Art: Sources for Formation and Peculiarities |
Taganov Oleg N. |
41 |
| “With Sadness I Survey Our Present Generation!..” |
Sokolov Alexander |
41 |
| Metadiscourse of Russian Musical Culture: Issue 2. ASM-2 and SoMa: a Collective Chronicle of Relationships |
Amrakhova Anna, Ekimovskiy Viktor A., Farkhadov Rauf Y., Karayev Faraj, Kurlyandskiy Dmitriy, Nikolayev Vladimir A. |
41 |
| Haydn’s Trumpet Concerto in the Twentieth Century (Translated by N. A. Tokarev) |
Moore Brian Robert |
40 |
