György Ligeti and Dadaism |
Veksler Yulia |
42 |
Metadiscourse of Russian Musical Culture: Issue 3. A. K. Vustin. The 80th Anniversary of the Composer. The History of the “Brown Notebook”, the Magazine “Modernist” and the “Warsaw Discussion Club of Modernists” |
Amrakhova Anna, Yelyanova Marina L. |
42 |
Canonic Technique in the Motets by Thomas Tallis and William Byrd from the ‘Cantiones quae ab argumento sacrae vocantur’ collection (1575) |
Konkin Gleb A. |
41 |
Spacio-Temporal Dominants in Art: Sources for Formation and Peculiarities |
Taganov Oleg N. |
41 |
“With Sadness I Survey Our Present Generation!..” |
Sokolov Alexander |
41 |
Metadiscourse of Russian Musical Culture: Issue 2. ASM-2 and SoMa: a Collective Chronicle of Relationships |
Amrakhova Anna, Ekimovskiy Viktor A., Farkhadov Rauf Y., Karayev Faraj, Kurlyandskiy Dmitriy, Nikolayev Vladimir A. |
41 |
Haydn’s Trumpet Concerto in the Twentieth Century (Translated by N. A. Tokarev) |
Moore Brian Robert |
40 |
Performance art in music: theoretical aspects |
Kozhevnikova Anastasia R. |
40 |
«Home is there, far away, there»: songs by P. Haas from the concentration camp Theresienstadt |
Fedusova Alina A. |
40 |
Metadiscourse of modern musical culture of Russia (discussions on Webern) |
Amrakhova Anna, Tsypin Vyacheslav G., Umanskiy Kirill A., Vorontsov Yury, Zenkin Konstantin |
40 |