In Search of Genre Boundaries of the Motet (Following the Monograph by Julie E. Cumming) |
Teplova Anna |
35 |
Minimalism: «Russian Idea» of Nikolai Korndorf |
Panteleeva Yulia |
35 |
Alban Berg’s Kammerkonzert: between a Game, a Pamphlet and an Offering |
Veksler Yulia |
35 |
The Muse vs The Fashion (According to the Pages of N. Medtner's Treatise) |
Levaya T. N. |
35 |
“To Keep Your Eyes and Brain Open” |
Kouprovskaia Ekaterina |
34 |
“I prefer a natural sound” |
Kouprovskaia Ekaterina |
34 |
«Pas d’Acier» by S. Prokofiev in USSR (1927–1932): the History of a Stage Fate |
Porshnev Ivan D. |
34 |
Alexander Ostrovsky and Anton Arensky: From The Voyevoda to Dream on the Volga |
Gorshkova Anna M. |
34 |
The Artistic World of Maurice Maeterlinck’s drama “Ariane et Barbe-Bleue” in view of Paul Dukas: The Composer’s Work on the Playwright’s Text |
Shutkova M. S. |
33 |
Modern Chinese opera (late XX – early XXI centuries) and “The First Emperor” by Tan Dun |
Ding Rong, Yunusova Violetta |
33 |