Old Russian Singing Terminology in the Special Course “History of Russian Music of the 11th – 18th Centuries” at Moscow State Tchaikovsky Conservatory |
Guryeva N. V., Tyurina O. V. |
33 |
The Foreign Music History Department of the Moscow Conservatory at the Turn of the Century: the 75th Anniversary of Mikhail Alexandrovich Saponov |
Lesovichenko Andrey |
33 |
“To Create a Sensation of Continuum” |
Kouprovskaia Ekaterina |
32 |
“To hear what you write” |
Kouprovskaia Ekaterina |
32 |
Alexander Khubeev Shares His Experience of Working in Germany |
Amrakhova Anna |
32 |
Music at the Period of Post-Postmodernism |
Akopyan Levon, Amrakhova Anna, Stoianova Ivanka, Tsaregradskaya Tatyana |
32 |
Composition and Drama Role of the Voice in the Following Instrumental Works by Nikolai Korndorf: Canzone Triste for Harp (1998), Chamber Symphony Confessiones for 14 performers and tape recording (1979), Quartet for two violins, viola and chello (1992) |
Zubova Olesya A. |
31 |
"Where Did You Come from, Wanderer?": Two Romances by G. V. Sviridov to Words by B. L. Pasternak (1935) |
Timofeeva Anastasia N. |
31 |
From Kammerspiele to Existential Tragedy: the Role of Music in "Stroszek" and "Woyzeck" by Werner Herzog |
Nevidimova Maria A. |
31 |
Metaphorical Terminology in the Russian Methodology of Holistic Analysis |
Grigoryeva Galina |
31 |