On the Comprehension of the Phenomenon of Musical Time in Vincent d’Indy’s ‘Cours de composition Musicale’ |
Rovenko Elena |
28 |
Theoretical System in O. Balakauskas’ “Dodecatonics” (1997): a Discourse of Composer’s Creation |
Daunoravičienė Gražina |
28 |
The Concept of “Multimedia” in the Music of Igor Kefalidi |
Kholopova Valentina |
28 |
Musical Term As a Problem: About the IV Congress of the Society for Theory of Music |
Naumenko Tatyana, Susidko Irina |
28 |
Musical and Architectural Gesamtkunstwerk: on the Acoustic Determinism of the Orchestral Style of R. Wagner's Drama “Parsifal” |
Gordon Alexander |
27 |
Genre of symphony concertante in its historical evolution |
Soldatova Svetlana |
27 |
On the Phenomenon of a Revolution in View of Jean Renoir (materials of the III International Congress of Russian Society on Music Theory) |
Rovenko Elena |
27 |
Accanto |
Lachenmann Helmut Friedrich |
27 |
Music criticism – yesterday, today… And will it be tomorrow? |
Amrakhova Anna, Kurysheva Tatyana, Nassonov Roman, Ustinov Andrey, Zenkin Konstantin |
27 |
Self-portrait 1975 |
Lachenmann Helmut Friedrich |
26 |