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Amrakhova Anna, Tarnopolsky Vladimir |
25 |
| Method of Chronotopical Analysis of Musical Work (by the example of Debussy’s prelude ‘Canope’) |
Astachova Olga |
25 |
| ‘Letter to V. Martynov and G. Pelecis’ (1999): Intertextuality and Wealth of Meanings in Nikolai Korndorf’s Final Piano Work |
Wilson Tara |
25 |
| Yuri Nikolaevich Tyulin about Musicians and Musicology (Interview with Yu. N. Kholopov of 1 February 1968) |
Kyuregyan Tatiana |
25 |
| Chinese ‘New Wave’ and the work of Xu Changjun |
Jianan Yan, Yunusova Violetta |
24 |
| The unknown opera by Edison Denisov |
Grigoryeva Galina |
24 |
| Aesthetics and style of Arvo Pärt’s work: revolution or evolution? |
Savenko Svetlana |
24 |
| Generative Music Theory in Relation to the Schenkerian and Riemannian Traditions |
Lerdahl Alfred Whitford (Fred) |
24 |
| Music of the 21st century: first results |
Akopyan Levon, Amrakhova Anna, Savenko Svetlana, Selimkhanov Jahangir, Tsaregradskaya Tatyana |
24 |
| Parte del Tomaso Vitalino. “Vitali’s Chaconne” as a Phenomenon of Baroque ArtParte del Tomaso Vitalino. “Vitali’s Chaconne” as a Phenomenon of Baroque Art |
Tekucheva Alesia |
23 |
