| My meetings with Nikolai Korndorf |
Vorontsov Yury |
26 |
| “An Alien Word” in the Composer's Work: Alfred Schnittke and Nikolai Korndorf |
Chigareva Evgeniya |
26 |
| ‘Die Meistersinger von Nürnberg’ — The Artistic Cosmos of a Metadrama |
Danuser Hermann |
26 |
| Libretto of Vincent d’Indy’s Opera «L’Étranger» and Henrik Ibsen’s Plays: Essay of the Comparative Analysis |
Ryzhkova Nataliya |
25 |
| Music Press-1917: Peripeteias in the Editorial Policy of the Muzykalny Sovremennik Magazine |
Belous Juliya |
25 |
| Четверть века в фарватере Новой музыки, или Музыка ХХI века — взгляд изнутри |
Amrakhova Anna, Tarnopolsky Vladimir |
25 |
| Method of Chronotopical Analysis of Musical Work (by the example of Debussy’s prelude ‘Canope’) |
Astachova Olga |
25 |
| ‘Letter to V. Martynov and G. Pelecis’ (1999): Intertextuality and Wealth of Meanings in Nikolai Korndorf’s Final Piano Work |
Wilson Tara |
25 |
| Yuri Nikolaevich Tyulin about Musicians and Musicology (Interview with Yu. N. Kholopov of 1 February 1968) |
Kyuregyan Tatiana |
25 |
| Chinese ‘New Wave’ and the work of Xu Changjun |
Jianan Yan, Yunusova Violetta |
24 |
