| The principles of Formbildung in Gregorian chant in view of the system of its melodic idioms |
Moskva Yulia |
3 |
| The development of isorhythm in early motets by Philippe de Vitry |
Girfanova Marina |
3 |
| On the role of polyphonic fragments in ballets of the 19th and the beginning of the 20th centuries |
Grutsynova Anna |
3 |
| On the technique of canon in Vassily Titov’s oeuvre |
Plotnikova Natalya |
3 |
| Mensural notation. Mensural and proportional canons |
Tarasevich Nikolay |
3 |
| The practical targeting of the subject of Polyphony as a topical problem of music teaching in the 21st century |
Frantova Tatyana |
3 |
| Pyotr Tchaikovsky as a translator of François Gevaert |
Polotskaya Elena |
3 |
| Today’s Musicology and “The Style of the Time” |
Naumenko Tatyana |
2 |
| On Perspective of the Functional Approach in the Research of Musical Stylistics |
Tchernobrivets Petr |
2 |
| A “Virtual Quotation” in Tchaikovsky’s Opera “The Queen of Spades” as a “Counter-textual Paradox” |
Titova Elena |
2 |
