Articles

Title	Author	Number
A Technique of Inversion in Polyphonic Theory and Practice of the latter half of the 16th–18th centuries: syllables and tones	Gerver Larisa	21
Music and revolution of Erwin Schulhoff: from Dada to “The Communist Manifesto”	Veksler Yulia	21
Leo Ornstein as a Russian Composer: On the Problem ‘Leo Ornstein and Russia’	Smotrov Veniamin	21
Ethnic ear-training of the Digital Century	Karaseva Marina	20
On the Reinterpretation of Music, Musicology and Aesthetics at the Parisian IRCAM	Stoianova Ivanka	20
“Energeticism” as a trend of the twentieth-century music analysis	Tsaregradskaya Tatyana	20
Register of Our Delusions. Part 2: conversations with composers (presenter — A. A. Amrakhova)	Amrakhova Anna, Karayev Faraj, Kasparov Yury, Kurlyandskiy Dmitriy, Umanskiy Kirill, Tarnopolsky Vladimir, Vorontsov Yury	20
Music as a subject of philosophical reflection	Maklygin Alexander	14
Enigma out of the clear sky: partimenti and their role in music theory of 18th century	Sanguinetti Giorgio	19
Words of Varese and about him (from the Archives of composer in Paul Sacher Stiftung)	Maklygina Anna	19

Pages