Aesthetics and style of Arvo Pärt’s work: revolution or evolution? |
Savenko Svetlana |
24 |
Generative Music Theory in Relation to the Schenkerian and Riemannian Traditions |
Lerdahl Alfred Whitford (Fred) |
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Music of the 21st century: first results |
Akopyan Levon, Amrakhova Anna, Savenko Svetlana, Selimkhanov Jahangir, Tsaregradskaya Tatyana |
24 |
Parte del Tomaso Vitalino. “Vitali’s Chaconne” as a Phenomenon of Baroque ArtParte del Tomaso Vitalino. “Vitali’s Chaconne” as a Phenomenon of Baroque Art |
Tekucheva Alesia |
23 |
On Painting and Musical Analysis: to the Problem of Interdisciplinary Research |
Rovenko Elena |
23 |
Methodology of the Historical and Geographic Localization of the Latin Musical-Liturgical Manuscripts |
Moskva Yulia |
23 |
“Profound Change in Style” in W. A. Mozart’s oeuvre: Sonata KV 533/494 |
Tarasevich Nikolay |
23 |
Konstantin Vladimirovich Zenkin — Music Historian, Aesthetician, Pianist |
Lesovichenko Andrey |
22 |
"Free" or "Intonation" Rhythm: to the Issue of Methodological Approaches in Contemporary Musicology |
Chashchina Svetlana |
22 |
“Cher Chopin”: On the Importance of the Composer for E. Delacroix’s Life and Oeuvre |
Rovenko Elena |
22 |