| On Vincent d'Indy's Original Analysis of His Symphonic Works: Regarding the Problem of the French Terminology |
Kasimova Anastasiya R. |
28 |
| On the Term “Leitmotiv” and Its Synonyms in V. D’Indy’s Terminological System |
Ryzhkova Nataliya |
28 |
| On the Comprehension of the Phenomenon of Musical Time in Vincent d’Indy’s ‘Cours de composition Musicale’ |
Rovenko Elena |
28 |
| Theoretical System in O. Balakauskas’ “Dodecatonics” (1997): a Discourse of Composer’s Creation |
Daunoravičienė Gražina |
28 |
| The Concept of “Multimedia” in the Music of Igor Kefalidi |
Kholopova Valentina |
28 |
| Musical Term As a Problem: About the IV Congress of the Society for Theory of Music |
Naumenko Tatyana, Susidko Irina |
28 |
| Musical and Architectural Gesamtkunstwerk: on the Acoustic Determinism of the Orchestral Style of R. Wagner's Drama “Parsifal” |
Gordon Alexander |
27 |
| Genre of symphony concertante in its historical evolution |
Soldatova Svetlana |
27 |
| On the Phenomenon of a Revolution in View of Jean Renoir (materials of the III International Congress of Russian Society on Music Theory) |
Rovenko Elena |
27 |
| Accanto |
Lachenmann Helmut Friedrich |
27 |
