| Music as a subject of philosophical reflection |
Maklygin Alexander |
14 |
| Enigma out of the clear sky: partimenti and their role in music theory of 18th century |
Sanguinetti Giorgio |
19 |
| Words of Varese and about him (from the Archives of composer in Paul Sacher Stiftung) |
Maklygina Anna |
19 |
| Register of Our Delusions (conversations and reflections concerning Russian musicology, presenter — A. A. Amrakhova) |
Akopyan Levon, Amrakhova Anna, Zenkin Konstantin, Saponov Mikhail, Nassonov Roman, Kyuregyan Tatiana |
19 |
| Towards Tact and Tactus in German Baroque Treatises |
Panov Alexey, Rozanov Ivan |
6 |
| Rhythm & Meter in Sigfrid Karg-Elertʼs Work |
Schröder Gezina |
6 |
| The Paradoxes of Rhythm in the Musical Form |
Afonina Nina |
6 |
| Approaches to the Interpretation of the Harmonic Rhythm in Foreign Musicology |
Chashchina Svetlana |
6 |
| Methodological Specificities of Music Studies: through the works of Russian Scholars |
Zenkin Konstantin |
5 |
| The Theory of Musical Content, Musical Hermeneutics and Musical Semantics: Similarity and Differences |
Kholopova Valentina |
5 |
