| Leo Ornstein as a Russian Composer: On the Problem ‘Leo Ornstein and Russia’ |
Smotrov Veniamin |
21 |
| Ethnic ear-training of the Digital Century |
Karaseva Marina |
20 |
| On the Reinterpretation of Music, Musicology and Aesthetics at the Parisian IRCAM |
Stoianova Ivanka |
20 |
| “Energeticism” as a trend of the twentieth-century music analysis |
Tsaregradskaya Tatyana |
20 |
| Register of Our Delusions. Part 2: conversations with composers (presenter — A. A. Amrakhova) |
Amrakhova Anna, Karayev Faraj, Kasparov Yury, Kurlyandskiy Dmitriy, Umanskiy Kirill, Tarnopolsky Vladimir, Vorontsov Yury |
20 |
| Music as a subject of philosophical reflection |
Maklygin Alexander |
14 |
| Enigma out of the clear sky: partimenti and their role in music theory of 18th century |
Sanguinetti Giorgio |
19 |
| Words of Varese and about him (from the Archives of composer in Paul Sacher Stiftung) |
Maklygina Anna |
19 |
| Register of Our Delusions (conversations and reflections concerning Russian musicology, presenter — A. A. Amrakhova) |
Akopyan Levon, Amrakhova Anna, Zenkin Konstantin, Saponov Mikhail, Nassonov Roman, Kyuregyan Tatiana |
19 |
| Towards Tact and Tactus in German Baroque Treatises |
Panov Alexey, Rozanov Ivan |
6 |
